JOHN DOWLAND LACHRIMAE PAVAN PDF

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No files submitted. PDF scanned by R. Many tablature manuscripts of this work are extant from English and continental sources but it seems impossible to determine which is or are by Dowland. Modern editions of lute music by Lumsden Schott, and Poulton and Lam Faber, , reprinted are the most reliable sources.

Genre Categories Pavans ; For lute ; Scores featuring the lute ; For 1 player ; For 4 recorders arr ; Scores featuring the recorder arr ; For 4 players arr ; For harpsichord arr ; Scores featuring the harpsichord arr ; For 1 player arr.

Creative Commons Attribution-ShareAlike 4. Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here. Please obey the copyright laws of your country.

IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. First Pub lication. Duration 4 minutes Composer Time Period Comp. Pavans ; For lute ; Scores featuring the lute ; For 1 player ; For 4 recorders arr ; Scores featuring the recorder arr ; For 4 players arr ; For harpsichord arr ; Scores featuring the harpsichord arr ; For 1 player arr.

Contents 1 Performances 1. Performers PhotoScore. Javascript is required for this feature. Editor Diana Poulton Basil Lam. Arranger R. Arranger William Byrd ca. This file is part of the Sibley Mirroring Project.

Arranger Giles Farnaby ca. Thought to precede both the lute song Flow my Tears and the Seven Tears consort collection

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Dowland, John – Pavana Lachrimae

The widespread dissemination of this piece is unsurprising for two reasons; firstly, Dowland travelled extensively as one of the most sought-after lute virtuosi of his age, holding various posts in Germany and Denmark and, secondly, the vogue for English dance music spread rapidly throughout the German-speaking courts of Northern Europe during the later years of the sixteenth century. The aim of this study, then, is to collate as much of this material as possible and present some preliminary hypotheses regarding in particular the transmission of this piece across mainland Europe. These can be subdivided according to their tonality and warrant a brief summary. Although it is by no means a certainty, there is circumstantial evidence to suggest that a G minor setting preserved in a number of English manuscript sources may have originally emanated from Dowland himself. The earliest sources for this setting are Dd. See Example 1.

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Lachrimae Pavan for Lute (Dowland, John)

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