LEO TREITLER PDF

Here is a brilliant and thought-provoking collection of 11 essays on various aspects of understanding music, written over the past 22 years with nine previously published by one of our most Leo Treitler, Distinguished Professor of Music at the City University of New York, is the author of "Music and the Historical Imagination", as well as other books and articles on music historiography and medieval music. Music and the Historical Imagination. Leo Treitler. Leo Theitler is a central figure in American musicology, both for his writings on medieval and Renaissance music and for his influential work on historical analysis.

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By Leo Treitler. Reflectiveness is to be expected from musicologists in their eighties; a few years on from the revised edition of With Voice and Pen: Coming to Know Medieval Song and How It Was Made Oxford, , Leo Treitler has now assembled a collection of twelve essays—all but two published before sometimes more than once , but with certain revisions—as his contribution to an on-going series of volumes, edited by Robert S.

Hatten, with the grandly synoptic title of Musical Meaning and Interpretation. Most users should sign in with their email address. If you originally registered with a username please use that to sign in.

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Search Menu. Article Navigation. Close mobile search navigation Article Navigation. Volume Reflections on Musical Meaning and its Representations. Arnold Whittall. Oxford Academic. Google Scholar. Select Format Select format. Permissions Icon Permissions. Published by Oxford University Press. All rights reserved. Issue Section:. You do not currently have access to this article. Download all figures.

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Leo Treitler

By Leo Treitler. Reflectiveness is to be expected from musicologists in their eighties; a few years on from the revised edition of With Voice and Pen: Coming to Know Medieval Song and How It Was Made Oxford, , Leo Treitler has now assembled a collection of twelve essays—all but two published before sometimes more than once , but with certain revisions—as his contribution to an on-going series of volumes, edited by Robert S. Hatten, with the grandly synoptic title of Musical Meaning and Interpretation. Most users should sign in with their email address. If you originally registered with a username please use that to sign in.

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Reflections on Musical Meaning and Its Representations

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Music and the Historical Imagination

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